Last night I finished the first season of Dexter. If you are unfamiliar with this TV show, it is primarily based on a serial killer who works for a Police Department in Miami. He works as a dective and a blood analysis specialist.The show follows Dexter Morgan through his many trials and tribulations at work as well as at home. There are three main women that I found had the most prominant characters in the show. His foster-sister, Deborah, works alongside him at the Police Station as an officer. He is dating Rita, a single mother of two children whom works at a hotel. Dexter's lieutenant, Maria has a major role in the TV show as well. Although there is a main plot for each episode that follows Dexter himself, there are side stories that follow these women as well and the correlation with how the media and society depicts and percieves women in the workforce is astoundingly conspicuous.
Rita is always being depicted as distraught. Although she is portrayed as a sweet, calm, and happy woman, her hair is never in place, she is always picking up after the kids, and she is constantly trying to avoid confrontations with her ex-husband. Initially, like for most viewers, I was oblivious to the message that the media is trying to send regarding working, single mothers. I asked myself, "Why isn't Rita impeccable, vivacious, and confident? Why does it seem like she never has anything completely under her control?" It can be "...argued that it is not motherhood itself that is oppressive to women but the way our society constructs motherhood (Okazawa-Rey, and Kirk 307)." The only plausible reason for Rita seeming like a complete mess is that she is a single mother and needs to juggle her work as well as giving her children a sufficient amount of 'TLC.'
Deborah represents the 'Ultimate Mommy Tax," in reference specifically to 'childlessness.' A steady increase in the percentage of middle-aged, educated, American women who remain childless went from about 9 percent in the 1950's to 10 percent in the late 1970's, and in the 1990's about 17 percent (Okazawa-Rey, and Kirk 344). Deborah is loud, assertive, very committed, and attractive. Her schedule is flexible - she works when she's not on the clock and enjoys it. Don't let all this fool you, however. Deb still has a soft spot for love, and this is shown when she begins to date a doctor named Rudy (which happens to be a serial killer). Although Deborah probably dreams of having a family, contemporary work ethics show that "...the longer a woman postpones family responsibilites, and the longer her 'preparental' phase lasts, the higher her lifetime earnings will be (Okazawa-Rey, and Kirk 342)." Society molds Deborah into a delineation of the equivalent of idealogies of a man, "but trying to be a man has its own risks. Many baby-boomer women postponed families only to discover that they wanted to become pregnant, it was too late (Okazawa-Rey, and Kirk 342)."
Maria also faces the same desires Deb does. In one episode when she saves a little boy from a murder scene, her motherly instincts get the best of her and she is reluctant to give the boy back to his family. What I find the most interesting is that Maria and Deb never openly admit to wanting children, which supports the idea that, "Americans have a hard time realizing that such deeply personal choices as when or whether to have a child can be powerfully circumscribed by broader social or economic factors (Okazawa-Rey, and Kirk 344)." In confliction with popular beliefs, making decisions between family and work is much more of a deal-breaker in America, than in European countries where there are more 'favorable' policies that encourage pro-family ideals (Okazawa-Rey, and Kirk 344).
Okazawa-Rey, Margo, and Gwyn Kirk . Women's Lives - Multicultural Perspectives. Fifth Edition. New York, NY: McGraw Hill, 2010. 301-369. Print.